In just under a month, Oscar statuettes will once again be handed out at Hollywood's Kodak Theatre. By our calculation, this gives Academy voters fewer than 30 days to make a very important decision when it comes to the expanded Best Picture category.Namely: Will they opt for one of the eight unworthy nominees that no one will care about a decade from now? Or will they do what's right and choose one of the two totally awesome sci-fi movies that somehow made the slate?
OK, as sci-fi nerds, we're admittedly biased. But while the two groundbreaking films in question -- James Cameron's groundbreaking 3-D epic "Avatar" and the cinema-verité alien opus "District 9" -- are more than worthy of inclusion on the list of nominees, we can't say we like their chances. Not when the Academy has such a long history of getting it wrong with sci-fi films.
In an attempt to show voters how foolish they might look 20 years from now and therefore sway them to choose, say, "District 9" (please!), we hereby present Asylum's Top 5 Sci-Fi Movies That Should Have Won Oscars.
5. "Blade Runner" vs. "Gandhi" (1982)This is the first of two Ridley Scott rips on this list. "Blade Runner" was light years ahead of its time stylistically, and Its cyberpunk influence is still evident today -- even in both of this year's sci-fi nominees.
The fact that "Gandhi" actually is a pretty darn good biopic keeps "Blade Runner" from placing higher on our list. But let's face it, without Ben Kingsley, what have you got? At best, an Emmy-worthy miniseries.
4. "The Empire Strikes Back" vs. "Ordinary People" (1980)Yeah, we know the original "Star Wars" was nominated -- and lost -- in 1977, but that's not such a glaring error. Woody Allen's "Annie Hall" is still a classic from another under-represented genre: comedy.
Besides, everyone knows that "Empire" is the best installment of the "Star Wars" franchise. It introduced Boba Fett!
So, what film won Best Picture that year? "Ordinary People." Yeah, we had to look it up, too. Amazingly, it has Timothy Hutton in a critical role.
3. "The Matrix" vs. "American Beauty" (1999)This one should have been easy. "The Matrix" featured a mind-bending story, truly revolutionary special effects, and a complete reinvention of cinematic technique.
"American Beauty" had Kevin Spacey spanking it in the shower to Mena Suvari, and a crucial cameo by a floating plastic grocery bag.
We're all about rose-petal-covered honeys, but beyond that, you need to pour Red Bull over your popcorn to stay awake during this overrated flick.
2. "Alien" vs. "Kramer vs. Kramer" (1979)Come to think of it, that sounds like a pretty good sequel idea -- at least as good as "Alien 3."
Scott's "Alien" is a work of art -- a masterpiece of suspense worthy of Hitchcock. Set in a grimy future, it has influenced nearly every sci-fi and horror movie that followed it.
If there's a flaw to "Alien," it's that no matter how many times you watch it, Ripley isn't going to lose the underwear.
On the other hand, "Kramer vs. Kramer" retains all the relevance of CB-radio lingo. Wow -- Mommy and Daddy got divorced? Did it make you cry tears of acid? Fail.
1. "2001: A Space Odyssey" vs. "Oliver!" (1968)"Open the Kubrick-winning envelope, HAL."
"I'm sorry, Dave. I'm afraid I can't do that."
Criminally, none of Stanley Kubrick's films ever won a Best Picture award; worse, "2001" wasn't even nominated. While the auteur's meditative space epic has its flaws (pacing, flat-lining actors), we think Kubrick should have jettisoned the competition into the icy vacuum of space.
You say you want music? There's not a cubicle slave on Earth who can't finish the chorus to "Daisy." Now, name me one song from inexplicable winner "Oliver!" Our point exactly. Let's hope the Academy has better sense this year.


























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Friday 12 February
By Xi
Name a song from Oliver(!)? Food Glorious Food, Be Back Soon, Reviewing The Situation, Oom Papa, Boy For Sale, As Long As He Needs Me, Got to Pick a Pocket or Two, Consider Yourself One of Us......that's all I can think of off the top of my head. So being that I named 8, your point was lost on me.
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Friday 12 February
By Aaron
OK, let's re-phrase the question. How many heterosexual men can name a single song from "Oliver"? :)
Friday 12 February
By Xi
I just named several, so once again the point(and your out-dated sense of humor) has missed it's mark. Hah! A snarky fellow who calls himself "Aaron"(that's in no way homosexual).
Friday 12 February
By Bea Arthur
Ummmm, not to geek out too much here, but I'm going to. Empire won two Oscars, one for Sound and the other a Special Achievement Award for Visual Effects. That's recognition. Also, that picture you have of Boba Fett is not from Empire, but rather Return of the Jedi, when Han and the gang are on Tatooine and Jabba has sentenced everyone to death by the saarlac pit. And, technically for the next generation of Star Wars viewers, Lucas put Boba next to Jabba outside the Millennium Falcon in Episode IV: New Hope. Anyone new to the trilogy would first be introduced to him then. Finally, Empire is by far the best Star Wars film of the series, but it needs the series. Without a precursor and conclusion the plot wouldn't make sense, or at least wouldn't have much of an ending. Fellowship andTwo Towers are great movies, for example, but Return of the King won the Oscar. Granted the Lord of the Rings is more Fantasy than Sci Fi, but you see my point. As a side, Ordinary People is a wonderful movie. Almost everyone in it was nominated for an acting Oscar, and Redford beat Scorsese and Lynch, so there has to be something to the film beyond remarking on Timothy Hutton's [Oscar-winning] performance.
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Friday 12 February
By Boba Fett
Bea... Boba Fett was in the Empire Strikes Back. Remember, the last scenes as Luke, Leia, etc were trying to get to Han (frozen in carbonite) before Boba could load him onto Slave 1 and escape? Although brief, he was introduced. Not counting his later addition to New Hope.
Friday 12 February
By Bea Arthur
Boba Fett is a key character in Empire. He appears in numerous scenes. One of the key scenes that gets a call back in Revenge of the Sith is Jango Fett and Boba tracking Obi-Won through the asteroid field which Boba would use later when Han&co. escape in a similar way. I'm just arguing that the image was from the wrong movie, Empire was acknowledged by the Academy, and Ordinary People wasn't necessarily undeserving. P.S. If you count the movies from the Episode I-VI (counting the remastered ones), Boba Fett appears in Episodes II-VI.
Saturday 13 February
By nicholas nadel
Uh, not to out nerd both of you, but technically Boba Fett first appeared in the cartoon from The Star Wars Holiday Special, which came out in 1978, a year after Episode IV: A New Hope. So that outranks Lucas ret-conning Boba into New Hope.
And great list. I would also agree that E.T. should have beaten Gandhi.
Friday 12 February
By Mark Reardon
While I agree with your basic premise. Avatar as best picture? PLEASE! Special effects,OK. But the script is childish drivel. The crane hasen't been built that could have suspended a sense of belief of the plot line.
Let's see them take the technology and render the Chanur saga for the screen. It's a series fer God's sake. With at least four or five high quality tales to make sequels worth watching.
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Friday 12 February
By JohnMc
#3 is way off base. The production value in the special effects were low value -- dark black backgrounds for the most part with very shallow camera angles. Beyond 20' you could have popcorn vendors hawking and would not know it. Compare that with say '2001' space station scene where errors could be seen 100' deep on the set. The gee whiz slo-mo sequences look right out of the '6 Million Dollar Man' TV series. Worse yet 'Matrix' spawned a generation of Web designers who believe that dark background web designs are cool, reversing 7 centuries of publishing that black on white is the natural choice for reading. Ugh.
Matrix II redeemed the special effects, but the plot line was the same with the concept having pretty much run its course.
You want a superior Sci Fi film? Try L5. Sadly never got a mention for that year. It was only released on IMAX AFIK.
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Friday 12 February
By A.W.
gotta agree with all of them, but i would add a few more.
The Abyss should have beaten anything it was up against. It was James Cameron's best movie (James, see how you used to take big themes and even predictable scenes and infuse them wtih real emotional weight? I want you to do that next time you step into the Avatar universe.)
And E.T., which I thought went up against Ghandi, too, but i could be wrong. I would say that was Speilberg's crowning achievement until he got all serious with movies like Schindler's List.
And while we are righting wrongs, Liam Neeson totally deserved best actor for Schindler's List. Tom Hanks got it that year, for Philadelphia, a fine performance, but in truth he was getting the oscar that year for "Big"--i mean not literally, but people looked back especially at that role, and said, "damn, why didn't he get one for Big. okay, let's give him one for Philadelphia, then." Hanks was good in that role, Philadelphia, but Neeson beat the crap out of him that year, and franly Neeson had more to work with. And the bad irony of it all was that Neeson was robbed, to make up for Hanks previously being robbed for nothing. The very next year, Hanks totally deserved the oscar when he got it for Forrest Gump, and THAT could have been the academy's chance to make it up to him for not giving him one for Big.
And I would also add Aliens to the list. Its not the best sequel ever. that honor goes to "Empire." But its probably the second best. And Cameron, again, takes all this messed up alien stuff and manages to say something about motherhood in all of this. cool. And you have to admire his craftmanship, taking these guys in rubber suits and making them move and look like something inhuman--frankly in a more successful way than Scott did, although I still give Scott his props.
And there is planet of the apes. and yes, i mean the original. the tim burton one stank out loud. ironically in both cases it was the end that made or broke the movie, and with both movies only being okay until the end, when the original knocked it out of the park, and the "reimaginging" screwed the pooch.
And for that matter, i always loved Conquest of the Planet of the Apes. To me it was the Empire Strikes Back of the series: the dark, cool one. Too bad they slapped a happy face ending on it.
and finally, one word: "KHAAAAAAAAN!!!" Yeah, its got its cheesy parts (which is saved by the fact that Shatner gives quality ham almost as well as Chuck Heston--its hammy acting and you love him for it), and yeah, they brought spock back to life, but the moment when they realize Spock is going to die (temporarily) was one of the most powerful in any movie, especially because it was taking the creed spock lived by to its ultimate conclusion. There was no question that he would give his life without hestitation to save his crewmates. It was just who he was.
And the new star trek gets an honorable mention, too, although old Spock doesn't make any sense in that one.
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Saturday 13 February
By E. Garza
Although Avatar's similarities to many other movies is obvious (e.g., Dances With Wolves, as well as "parallels to the concept and use of an avatar in Poul Anderson's 1957 short story Call Me Joe--where a paralyzed man uses his mind remotely to control an alien body--,FernGully: The Last Rainforest, Pocahontas, etc."), I think the fact that such great sci-fi films have been overlooked in the past is precisely why it will win the Academy award for best picture this year. Incidentally, I am in total agreement with you A. W. in that Star Trek II: The Wrath of Kahn was one of the best pictures ever overlooked by the Academy!
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